
A large part of this Documentary will be the historical background behind Groundfishing in New England, and what better way to tell this story than to fire up the time machine and scoop up some candid interviews?
I need old pictures of boats and people in New England.
I’ve got this jazzy idea to put some depth in the photos with a little After Effects action, but I’ve gotta get my hands on the raw material first. I’ve got a lead on a historical society, and there’s always THE big Maine Historical Society, but spidy-sense tells me they like money.
I’m having some fun trying to decipher the big copyright monster, especially since I don’t see what I’m recording as particularly controversial. It occurs to me that if I’m allowed to film, for instance, at the Council meeting than everyone at the meeting is likely to show up from time to time on camera. This doesn’t mean I have to clear each of them individually, do I? I didn’t exactly post a notice of public filming, I just got the OK from the guy in charge. That all seems murky to me somehow.
From what I read it seems like images made before 1928 are now public domain, but I also read about instances where congress has extended that limit on select cases. These must be for the most popular pieces that make money, but I wouldn’t want to stumble on an image that turns out to be of little known notoriety– just in anticipation of this film making any money at all.
I’ve started to read a number of long winded papers about the matter but can’t stay focused when my needs are pretty small for the most part. Music is always the biggie in films, but I don’t see any problem in using my friends / royalty free stuff. It might just be my latest obsession, but classical music should do well by this film. Does anyone know much about covers and copyright?
Anyway, back to the books. Maybe I’ll stumble on a get out of jail free card.
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